People Magazine: A Literary Giant in Early 20th Century America
Introduction
People Magazine was an American literary magazine that captivated readers from 1906 to 1924. Originally published by Street & Smith in New York City, the magazine featured a mix of fiction, articles, and poetry. Over time, it transitioned into an all-fiction publication, catering primarily to lovers of adventure stories.
In this article, we will explore the history, evolution, notable contributors, and lasting impact of People Magazine.
Origins and Early Years
People Magazine made its debut in July 1906, intending to complement another popular literary magazine, The Popular Magazine. Its early editions included both new and reprinted works from renowned poets and essayists.
However, by November 1906, the magazine shifted its editorial policy, discontinuing reprinted content. From the December 1906 issue onward, it exclusively published original and copyrighted material, ensuring fresh and engaging content for its readers.
Editorial Leadership and Vision
Between 1906 and 1909, Archibald Lowery Sessions was the magazine’s editor, taking over from Lee D. Brown. His leadership played a vital role in shaping the publication’s literary direction. In 1909, John W. Harding assumed the role of editor, continuing to uphold the magazine’s reputation for instructive and amusing literature.
Under Sessions’ guidance, People Magazine transitioned into an all-fiction publication in 1921. The magazine sought dramatic, adventurous, and human-interest stories, explicitly rejecting ghost stories, psychological fiction, and conventional narratives.
Content and Evolution
Throughout its publication history, People Magazine was dedicated to providing readers with engaging and thought-provoking stories. By 1921, it focused exclusively on short stories, novels, and serials, often emphasizing:
- Outdoor adventure
- Dramatic storytelling
- New perspectives from emerging authors
The magazine encouraged new writers, believing that they often brought fresh ideas and unique storytelling perspectives. It became a sought-after platform for aspiring authors eager to showcase their work.
Notable Contributors
Several renowned authors contributed to People Magazine, solidifying its place in literary history. Some of the notable names include:
- Clinton H. Stagg
- Albert Payson Terhune
- Ellis Parker Butler
- Eden Phillpotts
- Alfred Damon Runyon
- Zoe Anderson Norris
- H. Bedford-Jones
These writers played an instrumental role in defining the magazine’s content and appeal, making it a respected publication among literary circles.
The Final Years and Legacy
After a successful run of 279 issues, Magazine ceased publication in 1924. Despite its closure, the magazine left an indelible mark on American literature. It provided a platform for new and seasoned writers, helped shape the genre of adventure fiction, and set editorial standards that influenced future publications.
Even today, literary enthusiasts and researchers look back at People Magazine as an important part of early 20th-century literary history. Many of its issues are preserved in archives and continue to be referenced in discussions about classic American literature.
Frequently Asked Questions (FAQs)
1. What was the main focus of People Magazine?
People Magazine originally featured fiction, articles, and poetry. However, by 1921, it became an all-fiction publication, emphasizing outdoor adventure stories and dramatic storytelling.
2. Who were some notable contributors to People Magazine?
Famous contributors included Clinton H. Stagg, Albert Payson Terhune, Ellis Parker Butler, Eden Phillpotts, Alfred Damon Runyon, Zoe Anderson Norris, and H. Bedford-Jones.
3. When was People Magazine first published?
People Magazine was first published in July 1906 by Street & Smith in New York City.
4. What led to the magazine’s end?
After publishing 279 issues, Magazine ceased publication in 1924, likely due to changing literary trends and market conditions.
5. What type of stories did Magazine prefer?
The magazine favored adventure stories with strong dramatic elements, rejecting ghost stories, psychological fiction, and conventional tales.